KJR Studios
Kameelah Janan Rasheed is a learner* from East Palo Alto, CA
Brooklyn | Berlin | Johannesburg
© Kameelah Janan Rasheed. All rights reserved.
︎2024
︎2023
︎2022
︎2021
︎2020
︎2019
︎2018
- [Review]: Campbell, Andy, “Kameelah Janan Rasheed ‘i want to climb inside every word and lick the salty neck of each letter’ at REDCAT, Los Angeles.” Mousse Magazine, August 2, 2024
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[Review]: Campbell, Andy, “Andy Campbell on Kameelah Janan Rasheed.” Artforum, October 2024
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[Review/Mention]: Neidich, Warren, “Not Everything is Given, Whitney ISP, New York.” 02, Winter 2024
︎2023
- [Essay]: Dukes, Rachel. "Abstract language and sacred knowing, Using her body as a writing instrument, Kameelah Janan Rasheed devises a new language." Chicago Reader, November 6, 2023
- [Interview]: Schmidt, Carolin. “Repetition creates a rhythm for possibility.” Berlin Art Week, August 03, 2023
︎2022
︎2021
- [Art 21 Documentary]: Hawks, Carrie, Rose Bush, and Diana Larrea. Art 21: The Edge of Legibility, Kameelah Janan Rasheed. Art 21, 2021.
- [Interview]: Acheampong, Michelle, “Kameelah Janan Rasheed on Learning and Unlearning,” Art in America, July 1, 2021.
︎2020
- [Show Review]: Wuensch, Michaela. “Mathematik, Schwarzer Nihilismus und Afropessimismus Michaela Wünsch über Kameelah Janan Rasheed in der Galerie Nome, Berlin.” Texte Zur Kunst, May 22, 2020.
- [Show Review]: Liberty, Megan N. “Review of Kameelah Janan Rasheed at Brooklyn Historical Society, New York.” ArtReview (January 2020).
︎2019
- [Profile]: Wollen, Audrey with photography by Aubrey Mayer. “Kameelah Janan Rasheed Rewrites the Role of Language.” Cultured Magazine, November 26, 2019.
- [Mention]: Raicovich, Laura. “Why Libraries Have a Public Spirit That Most Museums Lack.” Hyperallergic, November 7, 2019.
- [Show Review]: Jacobs, Julia. “A Sound-and-Art Show Fills a Void for Muslims in Brooklyn.” New York Times, September 9, 2019.
︎2018
- [Mention/Show Review]: Moffitt, Evan. “What Can't Be Read.” Frieze, Issue 192 (January - February 2018).