

I believe in multipathways and a sort of choose your own adventure experience with websites. I am deeply inspired by the webdesign poetics of Chia Amisola as well as Octavia Estelle Butler’s invitation to primitive hypertext.
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The registers in my practice leak into one another. I want to offer leakiness as a liberatory technology--leakiness or the porous boundaries between rituals (syncretism); leakiness or the porous boundaries between bodies of text (intertextuality); leakiness or the porous boundaries between modes of communication (across language systems, across substrates, across species, across disciplines, across temporalities). Leakiness is a politics of intimacy: an invitation to wander and wade in the wet; to touch and make anew what has not been made solid; to [un]know and [un]learn; to return to the scene of presumed certainty for revision. Leakiness is a kind of interdisciplinarity, or a yearning to move, to be alive in many ways - to be without the grasp of a body of knowledge or a narrative arc. It is to be imminent in ways that exceed the predictability of a singular discipline.
In Dub: Finding Ceremony (2020), Alexis Pauline Gumbs reminds us of a conversation Sylvia Wynter has with Katherine Mckittrick:




︎ See my project SmooOOoOoooooOooth Operator: the eternal outlays ennoble and rekindle an unlikely savior (2022-23)
︎ See my presentation for the Computer Mouse Conference: Algorithmic Music Composition Using Approximate Mouse Coordinates (2021)